Graffiti Marathon: Bad, Sad and Gang Graffiti

In preparing a post on graffiti in the West Bottoms I happened upon a wall with crudely written graffiti: “One dead cop is a good start”.  Immediately my focus shifted from the West Bottoms to graffiti focused on gangs and violence.  It isn’t hard to find.IMG_3794

Kansas City has well over 3000 gang members, far in excess of the number of local police. A small number of Kansas City gangs are extensions of gangs that originated in other parts of the country. Most are loosely organized neighborhood groups.  Some are well-organized and highly disciplined. Others consistent of friends who seek community and protection within their own neighborhoods.  Kansas City has gangs of both kinds.  Both can be dangerous to the gang members and the communities in which they live.

Graffiti is the language and culture of the streets.  Often the  language is clear and threatening. More often, it is only understood by the gang members themselves and, perhaps, rival gangs to whom they are sending a message–whatever message that may be.

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Along Troost near Brush Creek, three walls were smeared with the word “Death”.  In a neighborhood where the violent deaths of young men are rampant, only a fool would ignore the potential threat suggested by the language.  Below, the inclusion of the skull on a wall of otherwise seemingly unintelligible letters is ominous.

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It would be foolish to suggest that all hostile graffiti can be backed up by force, but the intimidation is there nonetheless.

While each of us wants to believe that gang activity is in someone else’s neighborhood, that would be wrong.  I found graffiti identifying the 18th Street Gang on Truman Road, less than a mile from the center of Independence.  Surely I jest, you may say.  In fact, the 18th Street Gang is known to be located in the territories of both William Chrisman and Truman High Schools. It is certainly possible that a teenager, with just a bit of gang knowledge, painted the wall, but it is more likely the gang is marking its territory.  The 18th Street Gang is a multi-ethnic gang that started in Los Angeles.  It operates throughout the U.S. and in Mexico, El Salvador, Honduras and Canada.

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Drive through the streets of the City and you will find markers for other gangs. Surenos 13 (13 stands for the letter “M” indicating it is a Mexican gang) operates in North Kansas City.  Like the 18th Street Gang it is a national organization with most of its membership in California.  This graffiti found just off I-35 on the Northeast side of downtown indicates that the Surenos claim some territory South of the river.

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This next graffiti has me confused.  The three-pointed crown with the dots above the points appears to me to mark territory of the Latin Kings.  But crowns can be identified with gangs other than the Latin Kings.   I have seen numerous similar inscriptions East of Downtown.  The Latin Kings are one of the largest Hispanic street gangs in the U.S,  They originated in Chicago in the 1940s.  In Kansas City they operate both East and West of Downtown.  IMG_3888

Throughout our wonderful community there are telephone poles, bridges, walls of deserted buildings, walls of businesses filled with symbols similar to those above.  They are designed to instill fear, claim territory and warn off potential rival gangs.  You and I drive past these markers on a daily basis and don’t even notice they are present.

While most of the street graffiti is confusing, the language of the street is not always capable of being understood only by the “initiated”.  Some writings are easy to understand.  This expression of grief is for the death of a loved one, almost surely the victim of violence in our streets.

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There are so many reasons people join gangs.  Maybe that can be the focus of another blog on another day.  But today, I want to simply reflect on the reality that not all graffiti is fun.  Some of it is bad, sad and gang related.

Graffiti Marathon: Coming Soon

Westport has an extensive variety of graffiti, focused on Broadway, extending from Westport Road North.  Our next destination is 39th and Central.  Here, for the first time, I discovered a building where two walls are currently being painted with colorful murals.  Hopefully, you will immediately recognize our friend, Scribe.  Each painter has a unique style.  Many can be found in Westport, along Broadway, Oak, and even in the West Bottoms.

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As I have driven throughout the city, I have become acquainted with many of the artists.  Many identify themselves with names like “Scribe”, “Saron”, “Storm”, “Frost” and “feminine”.  Some artists  use initials “SKY ZNK” and “TCTW”.  Their styles are also becoming familiar.

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Cartoon characters, dogs, cats, dragons and birds and even insects, are common themes.

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This great bull dog is identified as the work of “GEAR”.

For those not yet weary of graffiti, still to be explored is art from outside the Mid-town corridors.

Graffiti Marathon: 40th Street and Broadway

On the East side of Broadway, at 40th Street, there is a significant stretch of wonderful graffiti.  Begin at the Open Fire Wood Burning Pizza shop.  The front and South sides of the building have a wonderful mural identified as “GATS Coast to Coast 2013”.  The reference to GATS sent me to the internet.  GATS (Graffiti Against the System) identifies a California street artist whose paintings are found throughout the country as well as European countries including Portugal, Germany, Italy and England.  While s/he claims to paint illegally, I cannot imagine many of these murals would be in existence without the approval of the property owners.

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Follow the mural into the adjacent parking lot behind the Highway 420 Smoke Shop.  There you will discover another series of panels created by  different artists.

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Much to my surprise, graffiti continues beyond the South edge of the parking lot through a stretch of alley that extends East to Central.

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More to come:  Graffiti under construction on 39th East of Broadway.

Graffiti Marathon: Westport and Broadway

Westport represents a distinctive subculture within the Kansas City community.  It is hip.  It is alternative.

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It is the place young people go on Friday night, Saturday night and St. Patrick’s Day.  It is also a mecca for graffiti artists.

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AKKA Karate deserves its own post.  Located at 40th Terrace, just North of Westport Road, AKKA is rich with graffiti.

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Colorful images fill the East and North sides of the building.  They delight us with their creative energy.

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Tigers, fish with fangs, honey bees and other strange critters, known and unknowable, confront us from the walls.

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If you look closely, and compare the images on these walls, you will start to see similarities to other paintings on walls throughout town.

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Scribe, whoever you are, congratulations on some great work.

Next, we will cross Broadway where more graffiti awaits us.

Graffiti Marathon: The Mother Load

There is probably no area in Kansas City with a more varied mix of graffiti than the blocks extending from Oak to Cherry and from 19th Street to 16th.  IMG_3662

I suggest you get your walking shoes as you explore the neighborhood.  Some walls are in your face.

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Every time I explore the area I find new treasurers I have missed in prior visits.

Graffiti Marathon: Lost To Construction

Graffiti is most often painted on deteriorated buildings, alleys and parking lots.  As a result it is highly vulnerable to destruction.  Last Sunday, Terry and I explored the River Market area in search of graffiti Terry and I remembered as a wonderful site of some noteworthy graffiti.  Terry remembered it was in the River Market area.  IMG_3660We found it, sort of!  In an alley just East of the Broadway Bridge, we found remnants of the art, most of it behind a high fence that obstructed my view almost completely.IMG_3659 (1)

Located between 2nd and 3rd streets, it is worth a visit, if only to record that which will soon be lost to us.  I do not begrudge Kansas City development activities, but will still miss this wonderful wall.

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As with much of Kansas City’s graffiti, these paintings in the River Market, exist on the fringes of our community.  They are, very much a part of our culture, proof that wonderful art is available to all of us.  Happy hunting!

Graffiti Marathon: Kansas City Style Part II

Kansas City’s most exciting graffiti is found in the nooks and crannies of our town.  Many businesses either pay for their art, or at least willingly provide a canvas for their work.  What a wonderful gift for Kansas City to offer the art to others.

Foxx Equipment is located just North of the Broadway Bridge, where West Pennway and Washington intersect with Southwest Blvd.  You can find the building by driving straight West from Broadway.vYou will know you have found this pot of graffiti gold when you see the wall with the words “Desert Feud”.  I am, admittedly, somewhat confused as to the nature of the feud unless it is a battle between the demonized letters and the evil alien cartoon.  At least that is my interpretation.  But whatever you see in the image, it is great fun.

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Foxx has two parking lots, one facing the public street, the other set on the East and South of the building.  Both lots are filled with colorful paintings that are great fun to behold.

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Whether you prefer the explorers, the ballerina in the cowboy hat or the prison escapee (in the black and white stripes), it is hard not to be grateful to the artists.IMG_3646

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Next stop is just a few blocks East of Broadway.  See you soon.

Graffiti Marathon, Kansas City Style

A Wright read my post on Kansas City Graffiti from 2012 and requested more information. Despite having accumulated a significant library of photographs of graffiti and wall art, I have failed to document where the graffiti is located.  Just for fun, Terry, Casey and I spent time this weekend driving through Kansas City neighborhoods with a cause — help A Wright identify where to look for Kansas City wall treasures.  As a result, I will over the next few days, help locate some fine Kansas City graffiti.  Today, graffiti in an alley.

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Graffiti extends the length of an easily missed alley East of 18th Street between Baltimore and Wyandotte Streets.  It is walking distance of Webster House and the Kauffman Center for the Performing Arts.   It is a wonderful treasure for those who enjoy urban art.  And, seriously, it appears to me that the alley went a transformation over the course of a few days.  There is paint all over the street itself, and my bet is that no one cares.  It must have been a heck of a weekend!

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Looking closely you will see the initials of various artists and their distinctive styles.  I can’t identify them by name, but I recognize many of the artists from other locations across town.

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If you want to add an interesting dining experience you can enjoy upscale dining at Webster House or eat very casually at YJ’s Snack Bar at 128 W. 18th Street.  However different the environments, you won’t regret either experience.

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In my lay opinion, these are talented artists.  My hat is off to all of them.

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Have a great week.  There is more to come.

An Indian Wedding: Finishing the night with a horse ride, dinner and dancing!

By this point in the wedding festivities, we have seen henna designs, skits, beautiful dresses, delicious food, a stunning bride (and groom!), and a Nikah wedding ceremony. Drumming introduced us to the second part of the wedding festivities on May 5th, 2012, when Noah rode in on a white stallion to the entrance of the reception hall. He looked very handsome in his traditional Indian ensemble, and very confident on the enormous white horse they had for him to ride!

Once Noah rode in on the horse, Natasha’s cousins and bridesmaids gathered around him to participate in a tradition I had never seen. We stole his shoes! And then he had to negotiate with us to get his shoes back. In the end, he paid a lot of money (I hope pre-arranged) and did a little dance. It was a lot of fun. Following the bartering of the shoes, family members gathered to bless Noah with a coconut. They would stand in front of him, touch the coconut to his forehead, and move the coconut in circles in front of his head.

While traditions surrounding Noah’s entrance were taking place, Natasha was upstairs getting changed for the rest of the evening. Her second gown was very similar to her first gown, only in teal instead of red. It was absolutely gorgeous! Noah somehow found time to change as well, from his traditional Indian ensemble into a black tux with teal accents. They were quite the handsome couple.

The reception was held in the grand ballroom of the Intercontinental Hotel on the Plaza. Outside the ballroom, the couple had arranged a photo booth for guests to take fun pictures, appetizers, and refreshing beverages to cool off from the heat outside.

Once the bride and groom were ready to make their grand entrance, we all moved into the ballroom and anxiously awaited their arrival. The families entered first, with the parents dancing in to pre-selected songs. Then Natasha and Noah entered the room to a song of their own selection. As they strutted their way through the room, you could see the excitement on their faces to have reached this part of the day. Time to let loose and have fun! They started with the cake, and then sat down to have dinner.

One of my favorite aspects of this wedding was the incorporation of different cultures. Indian traditions from Natasha’s family, Jewish traditions from Noah’s family. They incorporated prayers from both in the wedding ceremony, and dances from both in the reception. Unfortunately, we didn’t get any pictures of the hora because we were both participating. The bridesmaids joined in the circle, and Jake jumped at the chance to help lift one of the chairs in the center of the circle dance. Such a fabulous time!

The surprise guest of the evening was….drum roll please!…..Big Jay! The Kansas Jayhawks mascot joined in the festivities for part of the night, competing in a dance off with a representative from the Syracuse Orangemen. He then stayed to take pictures with all of us.

The night finished with a first dance for the bride and groom. It was a beautiful evening and a wonderful way to celebrate the beginning of what I expect to be a strong and happy marriage. Natasha and I have known each other for so long. We grew up together attending Pembroke Hill School, and even created a cool handshake in 5th grade. We played soccer together, learned Spanish together, and still made time to see each other through college. She then went off to med school, while I attended law school. Now, we’re all grown up, with fancy degrees and wonderful husbands.

Natasha and Noah, I am so excited for both of you, and I wish you both all the happiness in the world. Congratulations!

An Indian Wedding: Getting ready for the Wedding Nikah Ceremony

There were many parts to the wedding day for Natasha and Noah. The morning was spent at the hair salon and in the hotel suite getting ourselves primped and ready to begin the day. Mid-day was focused on  Natasha’s preparations. The early afternoon was dedicated to the wedding ceremony itself and to wedding photos afterwards. Following the Nikah and related events, the day changed to the ceremonies associated with the reception.  Natasha’s family received Noah and his family and friends, while Noah rode in on a white horse with drums playing and people dancing. The rest of the evening was spent at the reception, eating delicious Indian cuisine, listening to heartfelt speeches from friends and family, dancing, and of course, celebrating the newlyweds.

I will post the wedding day in two parts simply because there was so much going on that day. Besides, the photos of Natasha getting ready are so stunning, I wanted to share more of them with you.

In every wedding, all eyes wait in anticipation to see the bride’s gown. What does it look like? What is the texture? What style did she choose? In an Indian wedding, the gown for the wedding itself is traditionally red. And it’s not just a gown, it’s a full ensemble. As I mentioned in a previous post, Natasha and her mother, Shaheen, traveled to India to have all the dresses made for both Natasha and her bridesmaids. They picked the fabrics, described the designs they wanted, picked out the jewelry. In the end, they returned with some of the most intricate fabrics I have had the opportunity to see, with the most impeccable detailing.

The bridesmaids’ sarees were beautiful, but Natasha’s gowns were beyond stunning. Shes chose “lehenga” style gowns, red for the wedding, and teal for the reception. The gown consisted of a blouse, a floor-length skirt, and a draped fabric called a “dupatta,” which could be worn as a shawl or similar to a veil.

As heavy as the wedding gowns were for Natasha throughout the day (all the fabric, jewels and beading made her heaviest dress over 50 lbs), add her stunning gold heels to the equation, and I admit, I have never been so impressed with a bride’s balancing abilities. Her jewelry consisted of the “maang tikka” (the jewels worn on the forehead), the “chudi” (all the bangles worn on her wrists), the “hathphool” (bracelet connected to a ring), and the dazzling necklace and earring set that was so elaborate it practically molded into a part of her dress. Like I said. She was positively stunning.

The bridesmaids’ sarees were amazing, even if our ensembles were not quite as elaborate. Still, we all felt like princesses for the day. We had a blast getting ready at the salon, and then getting pinned into our sarees at the hotel.

The icing on the cake was getting to help prep Natasha for the day, and especially, for the Nikah ceremony. By the time she reached Noah at the altar, we could see the joy in her eyes.

We were so happy to be a part of the day, and we still had a whole afternoon and evening to come. Little did we know we would get the honor of meeting a special surprise guest! You’ll just have to wait and see who it was!